Archive for April, 2008

Day 3-Tribeca Film Festival: Che lives on (your underwear) and Winnipeggers are cold!

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Revolucionario hasta la muerte!

So far the documentaries are th best thing about Tribeca. They are just too damn good. Even Guy Maddin’s quasi-psycho-analytic My Winnipeg has been billed a “documentary” by some nit on Wikipedia.

Well, o.k.

Logan and I weigh in on the what we saw today: two narrative, two docs. We mercifully forget to mention the abysmal shorts block we briefly attended but left as we realized the title of the block was completely mis-leading: Identity Crisis” it was called but what they really should have titled it was “White People Who Get Angsty in Times of Angst”

Collective roll of the eyes is warranted so go right ahead.

icon for podpress  Winnepeg is cold!: Play Now | Play in Popup | Download

Day 2-Tribeca Film Festival: Social Awareness Day!

For 65 million you could buy  Malawiian child

“..for a mere 65 million you can, buy..I mean help, a Malawian child.”

While editor Maria Colon cried crocodile tears at various documentaries relating the cruelties of the modern age exacted on small children and illegal immigrants in gruesome detail, Logan Green developed a hatred for John Cusack.

Listen to episode two in our daily film review podcasts covering Tribeca 2008.

(How much you wanna bet that dress, those couture fishnets and chunky chains can feed, cure, and house a Malawian village of 50?)

icon for podpress  Madonna loves Malawi: Play Now | Play in Popup | Download

DAY 1-TRIBECA Film Festival

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The always shrill Julianne Moore in Savage Grace. Photo M. Colon
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It was a beautiful day here in New York City, the first day of press screenings for myself and NAICA contributing writer Logan Green at the TRIBECA Flm Festival. Sitting in a dark theater on a beautiful sunny day may seem like a waste to most, but we love film, so it was ideal for us. We also walked around quite a lot since we have a hard time deciding on restaurants and, well, I also forgot the location of an industry party we were to attend, and, so, we needlessly left the E. Village and then had to buy our own drinks. This caused a great deal of standing around trying to decide on a cheap place to drink and/or whether to walk back to the Village and drink at one of our many drinking establishments that we like to drink in. That sucked. But it was a lovely evening so we strolled from Union Square through Washington Park and over to SoHo for dinner (and drinks) at the Nolita House.
Nolita House is a meat and cheese lovers paradise. Logan is a vegan. I myself try to stay away from copious amounts of meat. Their idea of a dinner special? I just have to relate this: A chicken breast wrapped in bacon stuffed with lamb sausage and cranberries and a side of garlic taters!

Blech!

Anyway a few notes about this year’s festival:
1. It sucks 50 films less than it did last year.

2. They have assigned press and industry screenings to two theaters one block away from each other making it infinitely easier to get to multiple screenings in one day.

3. The theaters are located in my beloved East Village where some of my favorite restaurants and bars are located! YAY!

4. The staff is way nicer and more organized than last year.

5. Everything is better than last year.

Today we saw two films which e review at length in the podcast attached below. I warn you, there are spoliers, but trust me when I write, one of the films was a spoiler from the very first frame. Have at’er!

Check back daily for more reviews, possible interviews, and photos galore. Ciao darlings!

P.S. Neither NAICA, Inc nor it’s subsidiaries condone reckless imbibement but this is the NYC and we are adults. Drink responsibly!

icon for podpress  Savage Grace SUCKED [17:13m]: Play Now | Play in Popup | Download

SEVENTH ANNUAL TRIBECA FILM FESTIVAL KICKS OFF

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New York, NY – April 23, 2008 –Tribeca Film Festival co-founder Jane Rosenthal was today joined by New York Governor David Paterson, New York City Mayor Michael Bloomberg, American Express Chief Marketing Officer John Hayes, Festival Artistic Director Peter Scarlet and Director and Festival Juror Doug Liman to kickoff the seventh annual Tribeca Film Festival, presented by American Express, and announce the 2008 Festival Jury. American Express also announced an additional five-year commitment of its support for the Festival. Festival organizers were joined by filmmakers participating in this year’s Festival at the press conference, which took place at the Borough of Manhattan Community College in lower Manhattan.

The 2008 Tribeca Film Festival will run from April 23 – May 4 and will include 121 feature films and 79 short films representing 41 different countries. The film slate features 53 world premieres, 6 international premieres, and 30 North American premieres. In addition to the line-up of films, this year’s Festival highlights include an array of panel discussions, gala premieres of major studio releases – including Universal’s Baby Mama and Warner Bros. Pictures’ Speed Racer – and the Tribeca/ESPN Sports Film Festival. There are also free events, including Drive-In outdoor movies, the Tribeca Family Festival Street Fair and the Tribeca/ESPN Sports Day.

“Great films energize our lives,” said Rosenthal. “We started this Festival to heal our neighborhood and bring the magic of film to the city we love. Over the next 11 days we will view the world through the lens of filmmakers – advancing their work as we seek to inspire and entertain our audiences. I want to thank our sponsors and all those who helped to put together another great Festival, and invite all New Yorkers and our international visitors, to come experience the great creative work we will showcase and enjoy all that Tribeca has to offer.”

“New York has inspired filmmakers since the industry’s beginning,” said Governor Paterson. “But recently, we started losing business to our neighbors, like Canada, Connecticut and Massachusetts. New Yorkers never go down without a fight, and with the significantly expanded state film tax credit I announced today, New York will continue to serve as the most fascinating backdrop in the world. I am proud to have our great state foster an even greater number of productions, and feel fortunate that we have an event like the Tribeca Film Festival to showcase the work of great filmmakers and highlight the importance of this industry in our state.”

“New York City offers the best backdrop in the world to make movies, and every spring, Lower Manhattan offers the best place in the world to celebrate them,” said Mayor Bloomberg. “The Tribeca Film Festival was founded to spur revitalization downtown, and its ongoing success reaffirms Lower Manhattan’s role as a vibrant cultural destination and New York City’s place as a center of movie magic.”

“The Tribeca Film Festival is a unique opportunity for American Express to bring unforgettable experiences to our Cardmembers who are passionate about film and entertainment,” said John Hayes, Chief Marketing Officer of American Express. “It is for that reason that we are happy to announce our commitment to the Festival for another five years. We look forward to another year of exciting and innovative programming and to our continued partnership.”

“American Express has been a true partner to the Tribeca Film Festival - not just financially, but also creatively - since the beginning,” added Rosenthal. “The company’s steadfast support and John Hayes’ personal friendship have enabled us to grow and take risks, and we look forward to what we will achieve together over the next five years.”

Jurors for the competitive categories were announced by Director and Festival Juror Doug Liman. Below is the list of jurors and their respective categories.

World Competition Categories:
The jurors for the 2008 World Narrative Competition are Peter Hedges, Gregory Hoblit, Callie Khouri, Oliver Platt and Christine Vachon.

The jurors for the 2008 World Documentary Competition are Jared Cohen, Whoopi Goldberg, Ross Kauffman, Padma Lakshmi(?!) and Jose Padilha.

New York Competition Categories:
The 2008 “Made in NY” Narrative Feature Award jurors are Peter Dinklage, Fred Durst(?!), Greg Mottola, Stephen Schiff and Annabella Sciorra.

The 2008 “NY Loves Film” Documentary Feature Award jurors are Liya Kebede(!?), Doug Liman, Esther Robinson, Josh Schwartz, Jay McInerney and Andre Leon Talley(?!).

Short Film Competition Categories:
The 2008 Narrative Short jurors are Mario Batali(?!), Christine Lahti, Molly Shannon, Lili Taylor and Zac Posen(?!).

The 2008 Documentary and Student Short jurors are David Bowie, Red Burns, Matthew Modine, Lee Schrager(?!) and David de Rothschild.

Underscoring the diversity and strength of the film program, Rosenthal showed clips from four highly anticipated Festival films at today’s press conference:

· Pray the Devil Back to Hell, directed by Gini Reticker. (USA) - World Premiere. After more than a decade of civil wars leading to more than 250,000 deaths and one million refugees, a group of courageous women rose up to force peace on their shattered Liberia and propel to victory the first female head of state on the African continent.

· Ramchand Pakistani, directed by Mehreen Jabbar, written by Mohammad Ahmed. (Pakistan) - World Premiere. Gorgeous colors enhance this tense tale, based on actual events, about a young Pakistani boy who, with his father, inadvertently crosses the border into India. Both wind up in jail for years, while mother (Nandita Das) is left bewildered and alone.

· War Child, directed by C. Karim Chrobog. (USA) - North American Premiere. Emmanuel Jal spent his childhood as a soldier in the Sudanese People’s Liberation Army. Now this rising hip-hop star is using his music to raise awareness about his homeland’s ongoing humanitarian crisis. Dinka, English, Nuer with English subtitles.

· Bart Got A Room, directed and written by Brian Hecker. (USA) - World Premiere. It’s ticktock ticktock for Danny as the prom approaches, and he still doesn’t have a date. With the help of his plain-Jane best friend and likable but wacky parents (Cheryl Hines and William H. Macy), his hopes for that “special” night may come true in this colorful and quirky comedy.

Following the screening of these clips, Rosenthal welcomed and introduced Leymah Gbowee (subject of Pray the Devil Back to Hell), Mehreen Jabbar (director, Ramchand Pakistani), C. Karim Chrobog (director, War Child) and Brian Hecker (director, Bart Got A Room), who were all on hand for the press conference.

“It is incredibly important to us to support filmmakers from around the world and around the corner and to help them tell their stories. Whether that story is the touching real life story of a Sudanese child soldier who overcomes tremendous odds to become an advocate for peace in his native country or a coming of age tale about a fictitious young boy’s struggle to find a prom date, we believe that our audiences will embrace all of the films in this year’s Festival,” said Rosenthal.

Tribeca Blitzkrieg 2008

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NAICA and Longviews will begin it’s extensive coverage of the festival starting Wednesday night April 23rd through the end of the festival May 4th.
Look for interviews, film reviews, and copious amounts of images, plus, any other sundry what have you that we can come up with, like video? Yeah, maybe.
This year the line up looks to be more cohesive and interesting-lots of social-political documentaries which we like here at NAICA and Longviews. Last year was slim pickins in terms of anything worth actually spending time watching. It was also near impossible to attend, say, three or four screenings per day since the venues were so spread out. NYC is a large island filled with tons of people and traffic. Impossible to get from one end of the city to the next, hell it’s difficult to get three blocks over on a good day, for screening scheduled ten minutes after the one you just attended? Impossible. But this year the organization has worked out it’s scheduling and venue foibles. Truly last year was a disaster of disorganization, but this year they have it together. It should make for an easy time for the press as well as general festival goers. Yay for NAICA.

We are attempting to see 22 movies (press screenings) and a few we’ll have to watch on DVD. No, we will see 22 plus movies and tell you all about them!
Stay Tuned!

Cine Las Americas Film Festival [April 16th - 24th, Austin, Tx]

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The 11th annual Cine Las Americas International Film Festival started Wednesday the 16th and runs through April 24th. NAICA spoke with Director of Programming, Jacqueline Rush Rivera on the direction of the festival this year, must see films, new venues and where CLA is going (and they are going places) in the coming years. If you are in Austin, Tx or the surrounding areas in the coming week, make sure to take advantage of the excellent screening opportunities facilitated by this intimate and intelligently programmed film festival. And don’t forget to listen to the podcast below!

To learn more about the festival, the screening venues, and to view a film schedule visit www.cinelasamericas.org.

“The mission of Cine Las Americas is to promote cross-cultural understanding and growth by educating, entertaining and challenging the diverse Central Texas community through film and media arts.”

(F.Y.I. click on ‘download’ to listen to podcast. the popup player is acting a little kooky on this one.)

icon for podpress  CLA 2008: Play Now | Play in Popup | Download (40)

imagineNATIVE co-presents Club Native-award-winning director Tracey Deer’s new film

15th Hot Docs Canadian International Documentary Festival

Join us for the WORLD PREMIERE of imagineNATIVE award-winning director Tracey Deer’s new film
CLUB NATIVE
Friday April 18, 6:30pm
BE THE FIRST TO EMAIL info@imagineNATIVE.org and WIN TWO FREE TICKETS
Bloor Cinema
******
Sunday April 20, 2:15pm
Royal Ontario Museum

Tracey won Best Documentary for her feature, MOHAWK GIRLS at imagineNATIVE in 2005. Her new film is a brave look at the lives of four inspiring and eloquent women (including Waneek Horn-Miller) whose lives are forever changed when they fall in love with the wrong guys and “marry out” of their Mohawk Nation.

CLUB NATIVE, Canada, 78 min.
Falling in love with the wrong person can have devastating repercussions for Mohawks on the Kahnawake reserve in Quebec. Award-winning director Tracey Deer takes a courageous look at her home community, raising questions of identity, history and tradition through the lives of four inspiring Mohawk women. With warmth, depth and humour, stories unfold about the heartbreaking costs of “marrying out” of their Mohawk Nation, the challenges faced by kids of mixed backgrounds, and the conflict between love and preserving the fabric of their community. Having children with the men they love can mean forfeiting their offspring’s legal native status, including the right to live with their families on the reserve. The film doesn’t flinch from the history of Canada’s racist and sexist government policy, including the brutal force used against them during the Oka Crisis in 1990. A groundbreaking film and a powerful story of the triumph of love and the human spirit.

TO BUY TICKETS:
http://hotdocsaudience.bside.com/2008/films/clubnative_hotdocs2008

Daytime Screenings Tickets (before 6 pm) $10, evening screenings (between 6 pm-11 pm) are $12 each and Late Night Screenings (after 11PM) are $5. Order advance tickets and pass sales at the DOCUMENTARY Box Office (87 Avenue Road, 2 Blocks North of Bloor, upper level of Hazelton Lanes), online at www.hotdocs.ca, or by phone at 416-637-5150. On the day of the screening, all daytime screenings are FREE for students and seniors with valid ID, courtesy of the Toronto Star.

Hot Docs runs from April 17-27th. Visit www.hotdocs.ca for further information and detailed film descriptions.

Umiaq Skin Boat
Jobie Weetaluktuk

6:45 PM Fri, Apr 18
plays with..
.
Shock Waves - another great film about the power of independent radio to radically transform and empower the people of the troubled Democratic Republic of Congo
Al Green Theatre

12:00 PM Sun, Apr 20
plays with…
Shock Waves
Royal Ontario Museum Theatre

Jobie Weetaluktuk’s previous film, Urban Inuk, was a huge success at imagineNATIVE in 2005.

Run time: 31 min. | Canada | Language: Inuktitut
Against the harsh Arctic magnificence of Inukjuak, Quebec Inuit elders share intimate personal stories and remarkable tales of survival as they build the first traditional seal skin boat their community has seen in more than 50 years. Once an essential vessel for travelling and hunting, the umiaq has been usurped by canoes powered with outboard motors. Traditional survival skills are melting away as rapidly as the ice caps in the North where sugar, warm houses and video games are the new necessities. UMIAQ exquisitely connects the boat’s construction to building cultural cohesion through anchoring a community in its rich history. In Inuktitut with English subtitles.

To Buy tickets:
http://hotdocsaudience.bside.com/2008/films/umiaqskinboat_hotdocs2008

Hot Docs Box Office: 416 637 5150
Www.hotdocs.ca

CINE LAS AMERICAS: Opening & Closing Films Announced

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CINE LAS AMERICAS INTERNATIONAL FILM FESTIVAL
OPENING AND CLOSING FILMS ANNOUNCED

Septiembres SceneAustin-TX, March 24- The 11th Cine Las Americas International Film Festival will celebrate its opening night on Wednesday, April 16th at the Paramount Theatre, located in downtown Austin, Texas with the screening of the documentary feature SEPTIEMBRES (SEPTEMBERS) directed by Carles Bosh.

The festival will close on Thursday, April 24th with the screening of COCHOCHI, directed by Israel Cárdenas and Laura Amelia Guzmán at the Alamo Drafthouse South Lamar.

Cochochi Scene

The Cine Las Americas International Film Festival is a nine-day annual event that screens new work made by or about Latino and indigenous people of the Americas. The festival screens narrative and documentary features, short films, experimental work, animation, and youth films in both competitive and non-competitive sections. This event is complemented with repertoire and special screenings. This year approximately 80 different films will screen on April 16 - April 24 at venues throughout Austin.
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WHITE WOMAN EXPLAINS BLACK ART AT THE ARMORY SHOW 2008

Spring is here in New York City and that means art fairs and film screenings and getting drunk at various bars and cafes. It does not mean consistently warmer weather. No, it doesn’t mean that. This past Sunday I spent a blustery, but not outright freezing day, checking out the first bright rays of art offered on a grand scale here in the city.
Just so you know I didn’t get drunk this past weekend, but there will be others. Soon.

The Whitney Museum has it’s yearly biennial up. It is so shitty and politically dissonant I could hardly believe the mostly paying crowd (I got in free) wasn’t lining up demanding their money back. There is a recession going on so money must be tight to waste on a poorly curated hyper-self conscious art show? Fo Sho, though grumbles of disappointment and guffaws of derision could be heard no mass protest materialized-except in my imagination. Had, I paid money, I would have wanted it back.
I can’t be bothered to give much detail than that, because I can’t re-live the boredom, other than to say that one single video in the entire three floors of “art” was a truly brilliant work of art-that was a video by Harry (Harriet) Dodge and Stanya Kahn called Can’t Swallow It, Can’t Spit It Out. The New York Times art critic, Holland Cotter (who was a tad too generous regarding the entire show if you ask me) described it as, “a kind of lunatic’s tour of an abject and empty Los Angeles.” I’d agree with that but it was also brilliant performance work on both the video artist’s parts. Look it up. It’s worth it. If you care to subject yourself to it it will be on view until June 1st. Or, you can read the Times‘ overly diplomatic review and be done with it.

The Armory Show, on the other side of town, and hand as it were, was an amalgamation of wise investments coupled with zero curatorial finesse. Truly brilliant work had to mix company with “Inter-disciplinary Art 101″ bullshit, and quite pricey bullshit at that. Unlike the Whitney Museum you could take as many photos as you liked. You could also purchase the art on view. A Brad Kahlhamer print sold through the Deitch Project was quite pricey indeed. Actually I really did want one of his creepy vaguely Indian-esque crack whore strewn water color and pencil prints, but who has $10,000? Certainly not me.
For a selection of the good and bad (I leave the judging of what is which to you) visit our gallery page.

(Photos from this series: copyright M. Colon)

 
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